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This piece appeared in Huzzah a few years ago. I had seen a slow loris in a book on mammals, and thought it just begged to be anthropomorphized. I'm suprised more people don't do them. Inked with a brush on 2-ply Strathmore bristol.
This first appearred on the cover of Furrlough #34, and the original was sold at Albany Anthrocon. Acrylic airbrushed on Illustration board. 11" by 17" image size. Mechabun ©Richard Bartrop.
My part of an art exchange with Megan Giles. Brushpen
Yeah, it's a vixen, but something about the red against the black just begged for me to do her portrait. It's all done with a mouse, the basic shapes done with Adobe Illustator, then finished up in Photoshop. Art copyright Richard Bartrop, Melonny copyright he player. Please don't distribute.
Another sketchbook piece from '94, depicting the character from Wind in the Willows. Pencil.
More promotional art for ZT. Inked with a brush and coloured in Photoshop
Some promotional art for an ad for Zaibatsu Tears. Inked with a brush and coloured in Photoshop
Some of the characters from Zaibatsu Tears run into an unforseen problem. Art & Characters copyright 2000 R.J. Bartrop
More promotional art for ZT. Inked with a brush and coloured in Photoshop
I was at Con-Version last weekend, a SF con here in Calgary. J. Michael Straczynski was the Guest of Honour, so there was a lot of Babylon 5 material around, and it inspired this pic of Pi in a B5 security uniform. Con-Version is also the home of Ye Olde Nazgul Tavern, who's specialty is a drink called "Zaibatsu Tears", which I borrowed, with the owners' permission, for the name of the comic. Done in Adobe Illustrator and Photoshhop.Pi is ©Richard Bartrop and Babylon 5 is ©Warner Brothers.
Most Tolkein fans are pretty decent people, but, as with anything, there are always a few who are just wee bit too territorial about the object of their passion. For those that are intersted, the critter is based on a tarsier. Photoshop.
Originally designed for a comic project, I started using this swashbuckling space lupine as a character when I discovered the MUCKs. Lord Grey, or just Grey can usually be found either in FurrySpace. Grey is © Richard Bartrop. Please do not redistribute.
Gryllus, and an adoring fan. Brushpen over pencil sketch.
Lord Grey fights off hostiles. Nametag for C-Ace, executed in Photoshop.
Character design for comic story set in the near future. Brushpen over pencil sketch.
Revised and re-uploaded. Inspired by the work of Kelly Freas and Michael Whelan. Photoshop
What better source for a totem animal than the most ancient and primal of creatures? Therefore, I present Dances-with-Rotifers, my were-paramecium shaman spirit guide. This deeply spiritual and incredibly powerful being is © me, of course. Seriously, a sketch started at CACE on the theme "small and wierd", inked with a marker, and coloured in Photoshop.
A long overdue commission of Earl Bacon's Cassie. Ink and Acrylic.
An illustration of Watts Martin's "Playing the Hero's Role", commissioned for the Belfry archive www.belfry.com. Photoshop over a pencil sketch
Another character design, and an attempt at a NASA-tech combat spacesuit. Brushpen over pencil sketch.
A logo submission for CostumeCon. They specifically wanted an anthro character in a "Western-style spacesuit". Brushpen
Commission for something in a space opera vein. Photoshop.
This one owes a great deal to the Avengers, and Emma Peel in particular. Brushpen over pencil sketch.
Forget what the textbooks say, the 80's were the real golden age of comics. Here's a sketch of Lord Grey as another spacefaring swashbuckler, Starslayer. Starslayer ©Mike Grell, Lord Grey ©Richard Bartrop
An anthro homage to/spoof of one of my favourite artists, Syd Mead. Brushpen
Kohali's steampunk pirate, for the Trading Post. Photoshop.
A long overdue sketchbook commission on the theme of Tarzan. Some may be thinking, "Not another fox" but a creature more typical of the English countryside now at home in the jungle seemed most fitting for the theme. Ink with acrylic colour on sketchbook paper
Commission for Tugrik of his character, and an appropriately sized means of transportation. Photoshop.
Even in fantasy art, some rules do apply.
A big-eyed urchin, respectfully dedicated to the art of Margaret Keane. A 3D doodle, executed in Lightwave. Thanks to Scott Ruggels for introducing me to 3D.